White
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
A sound that keeps rising and never gets higher. Listen to the endless glide and the endless scale, then an ordinary scale for comparison, and see the trick behind it.
Tap an example to play it, and again to pause. Give the rising tone a minute: it never arrives anywhere. The live picture shows its tones sliding under a curve that stays put.
A Shepard tone is not one pitch but several, an octave apart: 55, 110, 220, 440 Hz and so on, all sounding together. A fixed curve sets how loud each one is: the middle ones loud, the lowest and highest so quiet you cannot hear them. As every component rises, the top one fades into silence while a new one fades in at the bottom.
Your ear follows each step up but never notices the hand-over, so the tone seems to climb without end. Roger Shepard made the stepping version in 1964; Jean-Claude Risset made the smooth, endless glide a few years later. Film composers use it for tension that never resolves, and the endless staircase in Super Mario 64 plays it.
| What plays | What you hear | |
|---|---|---|
| Endless rising tone | Tones an octave apart glide up together; the top one fades out as a new one fades in at the bottom | A climb that never ends |
| Shepard scale | The same in semitone steps: after 12 steps every tone is exactly where it started | A scale that keeps going up |
| Ordinary scale | One tone with its harmonics, C4 up to C5, then back | A rise, then an obvious drop |
| Faster rise | An octave every 3 seconds instead of every 10 | Rising tension, as in film scores |
An auditory illusion: a sound made of tones an octave apart that seems to rise or fall for ever, because the top tones fade out as new ones fade in at the bottom.
The cognitive scientist Roger Shepard, in 1964. The composer and physicist Jean-Claude Risset later made the continuous gliding version.
Every moment sounds like a rise towards something, and nothing ever arrives. Film and game music use it for exactly that feeling.
Pick what you need. One tap to start, change anything and save it as your own.
Focus timer
The Pomodoro rhythm: focus with calm sound in your ears, then take a real break. A soft bell marks every change, so you never watch the clock. Every fourth break is a long one.
Sound while you work
Breathe
Follow the circle and the sound: it rises as you breathe in and falls as you breathe out. Choose a rhythm, or set your own, and pick what plays underneath.
Sound while you breathe
Any color of noise, from deep brown to bright violet — and everything in between.
Sound science
Same randomness, different tilt. Each color shifts energy between low and high pitches — here is what that sounds like.
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
−3 dB / octave
Equal energy in every octave, so it sounds even to the ear. Steady rain, rustling leaves. A favorite for focus.
−6 dB / octave
Deep and warm, like a distant waterfall or a plane cabin. Masks voices and traffic without any hiss.
Equal-loudness curve
Shaped around how our hearing works, so every pitch seems equally loud. Balanced and soft.
+3 dB / octave
The mirror of pink: more treble than bass. Airy, crisp, like a light spray.
+6 dB / octave
Mostly treble, like hissing water. Sometimes used to mask high-pitched ringing.
Gentle tones to settle into: singing bowls, a slow warm drone, wind chimes tuned so every note fits.
Famous tones on pages of their own: hear them side by side, with honest facts.
How sound bends, shifts, rings and fools the ear, and why space is silent: hear it for yourself.
A purring cat, whales and dolphins, a nightingale in the dark, cowbells on a summer pasture. Wonderful in stereo.
Womb sounds are what a baby heard for nine months: a deep rush of blood flow, and the heartbeat.
Check your ears, headphones and speakers, each test on a page of its own with a live picture.
Ear Age · 60 seconds
Our ears lose the highest pitches first, and it starts early. Find the highest tone you can still hear and see the typical age for it.
Step 1 · Volume
Play the reference tone and set your volume so it's clear but comfortable. Leave it there.
Step 2 · Listen
Your result
A rough guide, not a diagnosis. Your phone, headphones and even this browser can cut the highest tones. Worried about your hearing? See an audiologist.
Check your headphones, find the deepest bass your setup can play, or play any pitch you like.
Headphones check
Each ear should get its own side. It matters for 8D, binaural beats and every stereo sound here.
Headphones on, then tap a side.
Bass test
Deep tones from 200 Hz down to 20 Hz, the bottom of human hearing. Mostly it tests your speakers or headphones.
Your setup plays down to
Tone generator
Start quiet: high tones and square waves get tiring fast.
Take it to bed
Add Ears & Waves to your home screen and it opens like any app — full screen, with its own icon. Everything it needs is saved on your device, so it keeps playing on a plane, in a tent or with Wi-Fi off.
Follow the circle. Eyes half closed, shoulders down. Press Stop whenever you like.
Stop after
The sound fades out slowly before it stops, so the silence doesn't wake you.
Wake me up
Saved mixes live on this device and appear first in Mixes.
Put the whole mix in a room, a cathedral or a canyon, and spread it around you. Best with headphones.
Width
A few minutes of slow breathing, then your sleep sound carries on by itself and fades out. Lie down, follow the circle and let the screen go dark.
Breathe for
Rhythm: . Change it in Breathe.
Then fall asleep to
Fade out after
It opens full screen, works offline and keeps playing with the screen locked.