White
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
Faster than sound, an aircraft gives no warning: silence, then a double bang. Hear a jet below and above Mach 1, the Space Shuttle coming home, a whip crack and thunder.
Tap an example to play it, and again to pause; each one repeats every few seconds. The bangs are short and sharp: good speakers or headphones bring out the low end.
Anything moving through air sends out pressure waves at the speed of sound, about 343 metres a second (1235 km/h) at 20 °C. Slower than that, the waves run out ahead of it, so you hear a plane coming. Faster, it outruns its own waves: they pile up into a cone of compressed air trailing behind it, and on the ground you hear nothing until the cone sweeps over you.
Then the pressure jumps up at once, falls in a straight line below normal, and jumps back: an N-shaped wave, heard as a double bang from the nose and the tail. It is not a single bang at the moment a plane “breaks the sound barrier”: the boom is dragged along the ground for as long as it flies faster than sound, like the wake of a boat.
| Speed | What you hear | |
|---|---|---|
| Airliner | About Mach 0.85 | Engine noise as it approaches, no boom |
| Fighter jet | Mach 1.5 | Silence, a double bang, then the engines |
| Concorde | Mach 2 | A double boom, the two bangs about a third of a second apart |
| Space Shuttle landing | Supersonic until near the runway | Two distant booms and no engines: it landed as a glider |
| Whip | The tip passes Mach 1 | A sharp crack |
| Lightning | The heated air bursts out faster than sound | Thunder: a crack and a long rumble |
An object faster than sound outruns its own pressure waves. They merge into a cone-shaped shock wave, and when the cone passes over you, you hear a sudden double bang.
The nose and the tail each make a shock wave. The pressure jumps up at the first, falls steadily, and jumps back at the second: two bangs a fraction of a second apart.
Shaping the aircraft can spread the pressure change out so it is gentler. NASA’s X-59 was designed to make a soft thump instead of a bang.
Pick what you need. One tap to start, change anything and save it as your own.
Focus timer
The Pomodoro rhythm: focus with calm sound in your ears, then take a real break. A soft bell marks every change, so you never watch the clock. Every fourth break is a long one.
Sound while you work
Breathe
Follow the circle and the sound: it rises as you breathe in and falls as you breathe out. Choose a rhythm, or set your own, and pick what plays underneath.
Sound while you breathe
Any color of noise, from deep brown to bright violet — and everything in between.
Sound science
Same randomness, different tilt. Each color shifts energy between low and high pitches — here is what that sounds like.
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
−3 dB / octave
Equal energy in every octave, so it sounds even to the ear. Steady rain, rustling leaves. A favorite for focus.
−6 dB / octave
Deep and warm, like a distant waterfall or a plane cabin. Masks voices and traffic without any hiss.
Equal-loudness curve
Shaped around how our hearing works, so every pitch seems equally loud. Balanced and soft.
+3 dB / octave
The mirror of pink: more treble than bass. Airy, crisp, like a light spray.
+6 dB / octave
Mostly treble, like hissing water. Sometimes used to mask high-pitched ringing.
Gentle tones to settle into: singing bowls, a slow warm drone, wind chimes tuned so every note fits.
Famous tones on pages of their own: hear them side by side, with honest facts.
How sound bends, shifts, rings and fools the ear, and why space is silent: hear it for yourself.
A purring cat, whales and dolphins, a nightingale in the dark, cowbells on a summer pasture. Wonderful in stereo.
Womb sounds are what a baby heard for nine months: a deep rush of blood flow, and the heartbeat.
Check your ears, headphones and speakers, each test on a page of its own with a live picture.
Ear Age · 60 seconds
Our ears lose the highest pitches first, and it starts early. Find the highest tone you can still hear and see the typical age for it.
Step 1 · Volume
Play the reference tone and set your volume so it's clear but comfortable. Leave it there.
Step 2 · Listen
Your result
A rough guide, not a diagnosis. Your phone, headphones and even this browser can cut the highest tones. Worried about your hearing? See an audiologist.
Check your headphones, find the deepest bass your setup can play, or play any pitch you like.
Headphones check
Each ear should get its own side. It matters for 8D, binaural beats and every stereo sound here.
Headphones on, then tap a side.
Bass test
Deep tones from 200 Hz down to 20 Hz, the bottom of human hearing. Mostly it tests your speakers or headphones.
Your setup plays down to
Tone generator
Start quiet: high tones and square waves get tiring fast.
Take it to bed
Add Ears & Waves to your home screen and it opens like any app — full screen, with its own icon. Everything it needs is saved on your device, so it keeps playing on a plane, in a tent or with Wi-Fi off.
Follow the circle. Eyes half closed, shoulders down. Press Stop whenever you like.
Stop after
The sound fades out slowly before it stops, so the silence doesn't wake you.
Wake me up
Saved mixes live on this device and appear first in Mixes.
Put the whole mix in a room, a cathedral or a canyon, and spread it around you. Best with headphones.
Width
A few minutes of slow breathing, then your sleep sound carries on by itself and fades out. Lie down, follow the circle and let the screen go dark.
Breathe for
Rhythm: . Change it in Breathe.
Then fall asleep to
Fade out after
It opens full screen, works offline and keeps playing with the screen locked.