White
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
Space is silent, yet scientists can still let us hear it. Listen to a black hole, a pulsar, Earth’s chorus, Saturn and the Sun, and see how each signal becomes sound.
Tap a picture to play it, and again to pause. These are our own recreations, made after the published sonifications by NASA and others; headphones bring out the detail.
Sound is molecules pushing on each other. Air at sea level holds about 25 billion billion molecules in every cubic centimetre; the space between the planets holds about five particles. With almost nothing to pass the push along, sound cannot travel: in space, nobody hears an explosion.
What spacecraft and telescopes record instead are other signals: radio waves, changes in a magnetic field, the flicker of a star, the glow of hot gas. Some of these already vibrate as fast as the sounds we hear and only need a loudspeaker; others are far too slow, and are sped up or shifted up by many octaves until they fall into our range.
| What was measured | How it became sound | |
|---|---|---|
| Black hole in Perseus | Pressure waves in the hot gas around it, seen in X-ray images | Raised by 57 and 58 octaves |
| Vela pulsar | Radio pulses from a spinning neutron star, 11 a second | Each pulse played as a click, at its real rate |
| Earth’s chorus | Radio (plasma) waves in Earth’s magnetic field | Already at audio frequencies: played through a speaker |
| Lightning whistlers | Radio waves from lightning, spread out on the way along the magnetic field | Already audible: played as received |
| Saturn’s radio waves | Radio emission from Saturn’s auroras, recorded by Cassini | Shifted into the range of hearing |
| The Sun | Its surface rising and falling, about every five minutes | Sped up 42,000 times |
Not as we hear it: there is too little matter to carry a sound wave. The exception is the hot gas in galaxy clusters, which carries pressure waves far too deep to hear.
They are recreations. Scientists turn real measurements into sound; on this page we synthesise sounds that follow their published sonifications.
NASA’s version from the Perseus cluster is a deep, eerie moan: pressure waves raised by 57 and 58 octaves so that we can hear them.
Pick what you need. One tap to start, change anything and save it as your own.
Focus timer
The Pomodoro rhythm: focus with calm sound in your ears, then take a real break. A soft bell marks every change, so you never watch the clock. Every fourth break is a long one.
Sound while you work
Breathe
Follow the circle and the sound: it rises as you breathe in and falls as you breathe out. Choose a rhythm, or set your own, and pick what plays underneath.
Sound while you breathe
Any color of noise, from deep brown to bright violet — and everything in between.
Sound science
Same randomness, different tilt. Each color shifts energy between low and high pitches — here is what that sounds like.
0 dB / octave
Equal energy at every frequency. Because we hear in octaves, it sounds bright and hissy — the classic "TV static".
−3 dB / octave
Equal energy in every octave, so it sounds even to the ear. Steady rain, rustling leaves. A favorite for focus.
−6 dB / octave
Deep and warm, like a distant waterfall or a plane cabin. Masks voices and traffic without any hiss.
Equal-loudness curve
Shaped around how our hearing works, so every pitch seems equally loud. Balanced and soft.
+3 dB / octave
The mirror of pink: more treble than bass. Airy, crisp, like a light spray.
+6 dB / octave
Mostly treble, like hissing water. Sometimes used to mask high-pitched ringing.
Gentle tones to settle into: singing bowls, a slow warm drone, wind chimes tuned so every note fits.
Famous tones on pages of their own: hear them side by side, with honest facts.
How sound bends, shifts, rings and fools the ear, and why space is silent: hear it for yourself.
A purring cat, whales and dolphins, a nightingale in the dark, cowbells on a summer pasture. Wonderful in stereo.
Womb sounds are what a baby heard for nine months: a deep rush of blood flow, and the heartbeat.
Check your ears, headphones and speakers, each test on a page of its own with a live picture.
Ear Age · 60 seconds
Our ears lose the highest pitches first, and it starts early. Find the highest tone you can still hear and see the typical age for it.
Step 1 · Volume
Play the reference tone and set your volume so it's clear but comfortable. Leave it there.
Step 2 · Listen
Your result
A rough guide, not a diagnosis. Your phone, headphones and even this browser can cut the highest tones. Worried about your hearing? See an audiologist.
Check your headphones, find the deepest bass your setup can play, or play any pitch you like.
Headphones check
Each ear should get its own side. It matters for 8D, binaural beats and every stereo sound here.
Headphones on, then tap a side.
Bass test
Deep tones from 200 Hz down to 20 Hz, the bottom of human hearing. Mostly it tests your speakers or headphones.
Your setup plays down to
Tone generator
Start quiet: high tones and square waves get tiring fast.
Take it to bed
Add Ears & Waves to your home screen and it opens like any app — full screen, with its own icon. Everything it needs is saved on your device, so it keeps playing on a plane, in a tent or with Wi-Fi off.
Follow the circle. Eyes half closed, shoulders down. Press Stop whenever you like.
Stop after
The sound fades out slowly before it stops, so the silence doesn't wake you.
Wake me up
Saved mixes live on this device and appear first in Mixes.
Put the whole mix in a room, a cathedral or a canyon, and spread it around you. Best with headphones.
Width
A few minutes of slow breathing, then your sleep sound carries on by itself and fades out. Lie down, follow the circle and let the screen go dark.
Breathe for
Rhythm: . Change it in Breathe.
Then fall asleep to
Fade out after
It opens full screen, works offline and keeps playing with the screen locked.